Monthly Resource Collection: August 2020

Hello Readers!

This month flew by. Between going camping for my husband’s birthday (a nice break with absolutely no cell phone reception) and what seems like an endless list of work responsibilities since resuming operations, I simply haven’t consumed as much information. I found myself reading more as a quiet method of active meditation, and watching less. Sometimes the noise of the world becomes too much for me, and I just need extensive periods of quiet time or immersive time in a good book. I’m learning to be okay with that.

I also hosted my first unlearning.is.rad book club meeting, through Zoom of course. Because I redirected my book club to social justice themes, I will include our selections in monthly resource blogs.

I hope you will continue to find these posts useful, and inspiring.

-Liz, The Real Life Vegan Wife

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Books:

  • Born A Crime: Stories From A South African Childhood, Trevor Noah

Born A Crime is without question one of my favorite books ever. This wonderfully written memoir chronicles the early life of Trevor Noah – now the host of The Daily Show – during the dismantling of apartheid in South Africa. Noah tells much of the story through his mother’s experiences, which forms a more intersectional and personal narrative around topics of racial segregation, poverty, colorism, and sexism. “The personal is political” is woven throughout each chapter as systems clearly help to shape personal outcomes. I haven’t laughed or cried harder reading a book, probably ever, and I think everyone should read this.

  • So you want to talk about race, Ijeoma Oluo

*Book Club Pick

So you want to talk about race is an accessible introduction to topics like privilege, intersectionality, cultural appropriation, microaggressions, police brutality, and the school to prison pipeline. Oluo outlines effective ways to engage in difficult conversations about these topics, while also emphasizing the importance of presenting facts and explaining the real-world implications of incidents that many would consider isolated personal events, but are in fact symptoms of a greater and more complex racist system.

  • The Undocumented Americans, Karla Cornejo Villavicencio

Cornejo Villavicencio beautifully wrote this book to tell stories about people. People who have immigrated to the United States, people who are undocumented, people who cannot be simply defined as one dimensional “workers,” or “dreamers.” People who’s worth should not be tied to the word “workers” to make their existence more palatable, or to justify their existence as a human being. They are complex and emotional and flawed; they experience joy and sadness, grief and happiness. They live their lives, sometimes exciting, sometimes mundane, but these people are defined by more than what they can produce for a country that renders them invisible.

Bookstores to Support:

https://keybookstore.com

https://www.semicolonchi.com

https://eurekabookshop.com

https://bookshop.org/shop/Elizabeths

Notable Podcast Episodes:

  • America Did What?! W/ Blair Imani & Kate Robards, “Episode 1: Redlining and the GI Bill.” 7/3/20

https://podcasts.apple.com/us/podcast/america-did-what/id1519365900?i=1000485381107

This episode explains exactly what the GI Bill entailed and why many Black Americans were excluded from it’s benefits because of practices like “redlining,” and the far reaching implications of this systematic denial of government provided services.

  • The Robcast, “We Hung Our Harps.” 7/21/20

https://podcasts.apple.com/us/podcast/the-robcast/id956742638?i=1000485667858

This sermon-style talk helps name the feelings of grief and disillusionment many Americans are currently feeling as we strive for a better way of being and let go of what we thought we had.

*For an in-depth analysis of my feelings around this topic, see my post The Word of the Day is Lament: https://thereallifeveganwife.com/2020/08/08/the-word-of-the-day-is-lament/

Must Read Articles:

“Anthropologist Wade Davis on how COVID-19 signals the end of the American era.”

I’ve Always Loved Two Things: The Written Word and Beauty

As a teenager I would look through the magazine section at our local grocery store on a regular basis – I’d hold the glossy pages in my hands and take it all in. Her outfits, her makeup, her hairstyles, the ads. As I thumbed through Vogue and Vanity Fair I realized I was less interested in the words, something that was unusual for me, but the beauty was something to sit in awe of. Looking back on it now, I’m sometimes surprised to think that the poor, small, rural town I’m from even had these little creative windows available for us to buy. Sometimes I’d even spend the five dollars to own one – an escape from reality, 1,000 suggestions on how you (a woman) should look, props to collect dust in the salon, someone telling you what to buy to be her. For some reason, I didn’t care about any of that. It was just art to me. That lifestyle was so inaccessible in my world that I couldn’t even focus on what I didn’t have – the thought never even crossed my mind to want what they had. Because creating art is free.

As a young adult, getting a degree in news / editorial journalism, waiting to graduate to start my career in beauty, I thought I might “grow up” to get that job everyone in movies seems to want: beauty editor of some major magazine. I knew I wanted to be a writer and I knew I wanted to be a makeup artist, so logically the simplest choice of career path would be to become the makeup artist version of Carrie Bradshaw. No problem. Grow up to be The Devil Wears Prada version of Meryl Streep; again no problem.

Step one: go to journalism school. As a journalism student I was required to pick up three newspapers a day before classes began to review them for major news. The two local daily papers (yes this is unusual, and since then one has folded) and the San Francisco Chronicle. We’d have to show up to class ready to talk about anything and everything that was in those three papers – we’d almost always be quizzed on something too. This is before smart phones. Last minute googling of who died this morning or what weather event was printed above the fold on the Chronicle wasn’t an option. You had to know it. You had the physical copy in your backpack. You spent at least thirty minutes prior to that first class skimming and picking out anything that seemed to be important news, just in case. Then we’d write about it, and we’d be timed. I loved it.

In my “free time” I’d see my less serious woman on the side: magazines. I worked in the mall, and on my breaks I’d walk over to Borders, a now defunct bookstore chain, to spend an entire hour’s wages on a caramel latte and a Vogue. Back then I never subscribed to anything – I loved going in person, drinking my coffee and touching the pages. It’s amazing how nostalgic that feels writing this now, in a world where we can’t touch anything, where bookstores are a dying breed. You’d open it and smell the perfume samples; ads would fall out; back then Keira Knightley would be staring back at you wearing something that engulfed her, her giant smokey eyes vacant but beautiful. That signature pouty lip, her boney shoulders. And all I could think about was going home to recreate that makeup look with whatever products I could scrape together.

Somewhere along the line I lost interest in that type of art because reality set in and it became harder and harder for me to see those photos as isolated innocent projects. They became small pieces of a bigger system. A beauty politic problem. A body politic problem. A capitalist, racist problem.

However, I was a resourceful person – I worked at Victoria’s Secret so I could “afford” the glamorous fashion, and I got myself my first makeup job at an Estee Lauder counter where I made decent enough commissions to earn almost all the makeup I could ever want or use. Step two: become a beauty professional. I’ve worked in beauty ever since. Up the chain. Practicing. Now for myself. Now more clearly understanding the framework we all participate in to maintain these systems of power. Understanding it’s evils while participating in them to survive. The reality of needing to work selling makeup for several hours to buy one mascara from the brand I worked for wasn’t lost on me. Now I work one hour and can buy at least ten mascaras. The reality that if I were to graduate and actually become a writer at our local newspaper I would be paying off my student loans into my forties, was also not lost on me. Instead, I could become a makeup artist and pay them off a decade sooner. I feel like I’ve spent my life trying to play the system, positioning myself in a world I was priced out of, until someday I could afford it. Sometimes I feel like that’s business, sometimes I feel like there’s more to it than that.

So I graduated from journalism school, and beauty school and took a decade-long detour away from magazines and newspapers, toward entrepreneurship and learning. But I miss it. The art part. The simplicity. The ease and joy of turning the pages and just looking.

A year ago I started a “digital declutter” experiment and as part of my efforts to minimize online time, I subscribed to print publications. Beauty magazines weren’t even on my list of options. The stories about “how to please your man” are just as disappointing as the half-hearted articles on “how to please yourself.” The “You go girl!” and “Girl power!” undertones are just different sides of the same misogynistic, patriarchal coin. Sometimes a decent story is thrown in but mostly, it’s all just what you should buy, simple content, abysmal representation. Perpetuation of stereotypes, norms and capitalist “culture.” So instead I decided to subscribe to The New York Times, Veg News Magazine, Rolling Stone, and Esquire. I feel like the stories and interviews in Esquire are extremely well written and the ads are almost entirely for men, so I can enjoy them without thinking too much about it. The others are obviously for news, some pop culture, and food. But I still missed makeup, and hairstyling, fashion and stories about women. Where women are the center.

Then I found CRWNMAG on instagram, and their feed was everything I love about beauty without the over simplification and lack of representation. I ordered every issue they have available on their website and could not be more thrilled to finally be bringing editorial-style print beauty back into my life and regular rotation. The about section on their website explains that CRWNMAG

“exists to create a progressive dialogue around natural hair and the women who wear it. We’re reaching beyond trendy clickbait and #BlackGirlMagic to address the whole Black woman; a woman who is more educated, well-traveled and sophisticated than ever before – largely because generations before her have fought to ensure her seat at the table. Through beautiful content, thoughtful commentary, hair inspiration and resources; we’re telling the world the truth about Black women by showcasing a new standard of beauty – and documenting our story in tangible, premium print form.”

The magazines themselves are amazing quality, thick and durable like a book. The pages are matte and have that library book smell – that good paper smell. But inside, the content is more than I expected. Because I respect the creators, writers, and artists featured, I will not share specific examples of articles or projects but I will say that although I am not a Black woman, I have an appreciation for a print magazine that centers women and issues that mainstream beauty magazines ignore or barely include. The ads are different, the art is different, and the stories and interviews take a more analytical and intersectional approach to reporting. I feel like I can actually enjoy the magazine because it isn’t ignoring the things mainstream beauty ignores, if that makes sense. It’s like opening my VegNews and realizing every ad is for vegan food. I don’t have to look at ads for meat or dairy, I can just enjoy the content and it actually applies to me. Not that every article or editorial piece in CRWNMAG applies to me, but I appreciate the beauty and the perspectives and feel like I can actually learn something. It’s time to bring that beauty magazine ritual back.

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@crwnmag

https://shop.crwnmag.com

The First Monthly Resource Collection! July 2020

Hello Readers!

As promised, my plan moving forward is to dedicate the last Saturday of every month to rounding up many of the useful resources I consumed each month. I will include a brief description of what to expect from each, a photo, and a link when applicable, but my intention is not to summarize them for you. Rather, I hope these posts can be a spring board that sends you on your own unlearning journey and encourages you to do your own research.

Enjoy! I can’t wait to hear your feedback.

PS: I read A LOT of articles. If something you’re interested in is pictured but not listed, please comment below and I’ll send you a link.

-Liz, The Real Life Vegan Wife

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Books:

  • The Color of Law: A Forgotten History of How Our Government Segregated America, Richard Rothstein

The Color of Law explains how the United States federal government, and individual state governments used (and continue to use) housing policy to create racial segregation. Many of us assume that the racial makeup of neighborhoods and cities are a product of “de facto” segregation when in fact it is a result of “de jure” or direct and lawful housing policy.

  • The New Jim Crow: Mass Incarceration in the Age of Colorblindness, Michelle Alexander

The New Jim Crow argues that since its founding, America has gone through several institutional forms of racial control, one simply evolving into the next to reflect society in that present moment. Beginning with chattel slavery, evolving into Jim Crow segregation, and currently resulting in mass incarceration, Alexander explains that each institution accomplishes the same end: the disenfranchisement and criminalization of Black people and Non-Black People of Color, resulting in a racial “underclass.”

  • Hood Feminism: Notes From The Women That A Movement Forgot, Mikki Kendall

Hood Feminism is an excellent and accessible analysis of systems of privilege and oppression through the lens of intersectional feminism. Kendall explains that issues such as housing access, food security, and gun violence (among many others) disproportionately affect Black Women and Women of Color and have therefore been ignored by mainstream white feminism. She argues that these issues are feminist issues and that without addressing them collectively, patriarchy will continue to subjugate all women.

Bookstores to Support:

https://keybookstore.com

https://www.semicolonchi.com

https://eurekabookshop.com

https://bookshop.org/shop/Elizabeths

Notable Podcast Episodes:

  • Code Switch, “Why Now White People?” 6/16/20

https://www.npr.org/2020/06/16/878963732/why-now-white-people

This episode talks about the sudden surge of support from white people for the Black Lives Matter movement after the murder of George Floyd.

  • The Rich Roll Podcast, Episode 529, “John Lewis & John Salley Are Black In America.” 6/29/20

https://podcasts.apple.com/us/podcast/the-rich-roll-podcast/id582272991?i=1000480111209

In this podcast episode, Rich Roll interviews John Salley, a long-time vegan and the first basketball player in history to win four NBA championships with three different teams, and John Lewis, aka The Badass Vegan, a vegan activist, athlete, and co-director of the new documentary They’re Trying to Kill Us.

  • American History Tellers, Season 13, Episodes 1-5, “Tulsa Race Massacre.”

https://podcasts.apple.com/us/podcast/tulsa-race-massacre-the-promised-land/id1313596069?i=1000440022243

In this five-episode series, learn about the Tulsa Race Massacre of 1921 and the destruction of the Greenwood neighborhood, also known as “Black Wall Street,” by a racist white mob and a complicit police force.

Movies:

  • 13th

This documentary is available on Netflix and focuses on the meaning of the 13th Amendment, racial inequality in the United States, and why Black and Non Black People of Color make up a disproportionately high number of incarcerated individuals in this country.

  • The Hate U Give

This film tells the story of Starr Carter, a Black teenage girl learning to find her voice while constantly switching worlds and personalities between the Black community she calls home and the predominantly wealthy white prep school she attends.

Based on the novel by Angie Thomas

  • Dark Waters

Dark Waters tells the true story of how the DuPont corporation knowingly poisoned waterways, soil, animals and people in West Virginia with PFOA, a chemical commonly found in Teflon products.

Based on the New York Times Magazine article “The Lawyer Who Became DuPont’s Worst Nightmare” by Nathaniel Rich.